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Percival Everett
Ce volume recueille les communications présentées lors du colloque international « Percival Everett » organisé par l’équipe, à l’initiative d’Agathe Berland et d’Anne-Laure Tissut, en mars 2013 à la Maison de l’Université de Mont-Saint-Aignan.Textes recueillis par Agathe Berland et Anne-Laure Tissut, et mis en forme par Sarah Boulet. This volume gathers the papers given at the international conference “Percival Everett” organised by the ERIAC research center and managed by Agathe Berland and Anne-Laure Tissut, that took place in March 2013 at the Maison de l’Université in Mont-Saint-Aignan.Texts collected by Agathe Berland and Anne-Laure Tissut, and finalized for publication by Sarah Boulet.
- Anne-Laure Tissut Introduction
- Keith B. Mitchell Encountering the Face of the Other: Levinasian Ethics and Its Limits in Percival Everett’s God’s Country
- Marguerite Déon Clichés and cultural icons in Percival Everett’s fiction
- Anthony Stewart Talking About Race, Exposing The Desire for the Post-Racial, and Percival Everett’s Assumption
- Claude Julien Assumption: from reminiscences to surprise, from dream to nightmare
- Isabelle Van Peteghem-Tréard Jouissance in Damnedifido stories by Percival Everett
- Clément-Alexandre Ulff Invisible Fathers: Investigating Percival Everett’s “Lower Fresquencies”
- Michel Feith The Well-Tempered Anachronism, Or The C(o)urse of Empire in Percival Everett’s For Her Dark Skin
- Judith Roof Everett’s Eidolon: The Story of an Eye
- Brigitte Félix “Of weeds and words: Percival Everett’s poetry”
- Claudine Raynaud Naming, Not Naming and Nonsense in I am Not Sidney Poitier
- Françoise Sammarcelli Vision and Revision in Percival Everett’s Erasure
- Marie-Agnès Gay "Wanted: straight words" in Percival Everett’s novel Wounded
- Sylvie Bauer “Private Terbulent Seas”: “painting The Moon” In Cutting Lisa, By Percival Everett
- Gwen Le Cor “At any rake,” angles of “linguistic condensation” and shock in Percival Everett’s The Water Cure: “All this while we play and pain with a language that is private.”
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“Of weeds and words: Percival Everett’s poetry”
Brigitte Félix
The quality and interest of Percival Everett’s poetry writing come as no surprise to the readers of his novels. He has indicated that he envisions poetry as a means of seeking a form of abstraction, or maybe an abstraction in form, that he wishes to achieve in the writing of fiction. This article aims at offering a reading of Percival Everett’s ars poetica as it is inscribed in his poetry more specifically, and as part of the writer’s general reflection on the creative and artistic process. We will see to what extent Everett’s poems work as a field for research and experimentation with “pure form” (to borrow the title of a poem from Abstraktion und Einfühlung).
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URL : http://publis-shs.univ-rouen.fr/eriac/index.php?id=525.
Quelques mots à propos de : Brigitte Félix
Université Paris 8 Vincennes-Saint-Denis
Brigitte Félix is a Professor of American literature at the Université Paris 8 Vincennes-Saint-Denis. Her research is focused on contemporary American fiction in its innovative and experimental forms.